Art installations by Esther Stocker. I like how she plays around with geometrical lines from 2d to 3D perspective.

Notes about Esther Stocker’s artwork from “Systematically Broken System,” by Rainer Fuchs:

The thesis that such mechanisms also operate in the art realm by shaping research into its own order will be outlined in this essay by referring to the works of Esther Stocker. The paintings, murals and installations of Stocker, based on grid structures and on the colors black, white, and gray, consistently manifest entanglements, interconnections, interpenetrations, both semantically and formally, for which the variably deployed grid motif functions as a metaphorical logo. Stocker consistently breaks with one-dimensional notions of order, space, and painting, while also posing the question of the possibility and the significance of order, space, and painting as contextual and relational factors and concepts. When an artist so persistently preoccupied with spatial structures and spatial experience, simultaneously calls attention to the fact that “we know nothing about space” (Stocker), then her stance would seem to testify to a productive skepticism which arises from unremitting and methodical attempts at understanding, and from insight into their — in principle — interminability.